Tenor Nicholas Simpson “possesses a voice that is flexible, but powerful...he literally stunned the public with his technical and expressive capability” (Corriere di Rimini) and has been praised by Opera News, for his “bel canto bona fides” and performances which “immediately seized attention with his full-bodied, brightly projected voice.” He will next be heard as King Charles II in the New York premiere of Carlisle Floyd’s newest opera, The Prince of Players, with the Little Opera Theatre of New York, and as the tenor soloist in Beethoven’s 9th Symphony with Performance Santa Fe, under the baton of Joseph Illick.
In the 2016 season, Mr.Simpson has brought his vocal power to bear in a variety of leading roles, including Dick Johnson in La fanciulla del West at Apotheosis Opera, Don José in the Maryland Symphony’s and in Spotlight on Opera’s productions of Carmen; and the tenor soloist in Carmina Burana with the Flint Symphony; as well as appearing in numerous concert series across the United States.
Recent seasons found Mr. Simpson making role and house debuts as the Kronprinz in Kevin Puts’ Pulitzer Prize winning opera Silent Night with Fort Worth Opera and singing a critically acclaimed performance as Paul in Korngold’s Die Tote Stadt with Opera Circle Cleveland. Cleveland Classical noted that he was “… splendid as Paul, negotiating a punishingly high and demanding vocal line with strength and agility.” Other recent appearances include the title role in Wagner’s Tannhäuser with Apotheosis Opera; Peter Quint in Britten’s The Turn of the Screw and Rodolfo in La bohème with Hub Opera. DC Theater Arts praised his “smooth, deeply rich tenor voice and a powerful presence as the poet Rodolfo” and noted his dramatic abilities as “exceptional”.
He has also appeared as Turiddu in Cavalleria rusticana with the Altoona Symphony, in the title role of Don Carlo with the Martha Cardona Theater, and in the title role of Il sogno di Scipione with Gotham Chamber Opera. He covered the role of Vaudemont and performed student matinees for Dicapo Opera’s production of Tchaikovsky’s Iolanta, sang Count Alberto in Opportunity Makes the Thief with Little Opera Theatre of New York; as well as Turiddu in Cavalleria rusticana and Rinuccio in Gianni Schicchi with Spotlight on Opera. He has performed with Sarasota Opera, Union Avenue Opera, Utah Festival Opera, and the Mediterranean Opera Studio & Festival in Sicily, and appeared in Austin Opera’s Opera on a Stick outreach concerts.
On the concert stage, Mr. Simpson has been noted for his interpretation of Beethoven's 9th Symphony. He has performed the work with Chorus Austin, the Altoona Symphony and the Hershey Symphony. Other recent concert appearances include the title role in Joshua with the San Gabriel Chorale and Orchestra, Beethoven’s Missa Solemnis with the Brooklyn Symphony, Rachmaninov’s Vespers with Chorus Austin., and highlights of Tannhäuser at the Baldwin-Wallace Wagner intensive program, under the direction of Timothy Mussard and Jane Eaglen.
In 2011, his “lusty” performance of Rossini’s Petite Messe Solenelle with Chorus Austin earned him an Austin Critics nomination as best classical vocalist of the year in Austin for a performance that “made you feel the blood’s pulse and heat” (Austin Chronicle) and received the Desert Theatre League Award as Best Performer for his run of eight performances of the program "Nicholas Simpson in Love" at the Arthur Newman Theatre.
Other concert appearances include the Four Tenors Concert with Opera Delaware, Carmina Burana with the Flint Symphony, and selections from Tannhäuser for Performance Santa Fe and the Wagner Society of Santa Fe; Don José in Carmen for Spotlight Concerts, and guest soloist with the Grace and Spiritus Chorale.
Mr. Simpson holds a Bachelor of Arts in Spanish from the University of Missouri, and a Master of Music degree from Manhattan School of Music.
"Tenor Nicholas Simpson was a full throated
hero who carried the role from beginning to end without strain." –Voce di Meche (reviewing Tannhäuser)
"Tenor Nicholas Simpson was splendid as
Paul, negotiating a punishingly high and demanding vocal line with strength and agility.
–Cleveland Classical (Reviewing Die Tote Stadt)
Simpson has a smooth, deeply rich tenor
voice and a powerful presence as the poet Rodolfo." –DC Metro Arts (Reviewing La bohème)